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The story about Swedish ambassador in Chile - Harald Edelstam - and his heroic actions to protect the innocent people from the execution during and after the military coup on September 11th 1973. We travel with Edelstam during the terrible moments just after the coup and follows his never-ending fight for human rights, law and order. What drove him? And what price did he end up paying for his total commitment? Haunted by his own demons the we experiences on close hand how a womanizer desperately searches to find love again, a task only doable, if he can fight his own past and redeem himself. After saving hundreds - maybe even thousands - he is challenged once more, this time to save his newfound love from the death penalty issued by the regime. Another impossible task and a desperate chase against time. Based on a true story about a man, that did, what all of us only dreams of.

On a trip to a Mexican border town, three college friends stumble upon a human-sacrifice cult.

A drama based on an ancient Chinese proverb that breaks life down into four emotional cornerstones: happiness, pleasure, sorrow and love. A businessman (Whitaker) bets his life on a horse race; a gangster (Fraser) sees the future; a pop star (Gellar) falls prey to a crime boss (Garcia); a doctor (Bacon) must save the love of his life.

Joan Wilder is a mousey writer of romance novels. She finds a package from her sister mailed from Colombia in her mailbox. A call from her sister tells her that she has been kidnapped and that bringing the package to Colombia is necessary for her safety and release. Being fairly clueless, she leaves for Colombia to rescue her sister. She is lost within hours of her arrival. She is nearly murdered by one of the men searching for the package when Jack Colton, a fairly low life American rescues her. They begin a journey through the jungle with bullets flying nearby. Is Joan up to all of this? What a way to find out.

A wave of kidnappings has swept through Mexico, feeding a growing sense of panic among its wealthier citizens, especially parents. In one six-day period, there were twenty-four abductions, leading many to hire bodyguards for their children. Into this world enters John Creasy, a burned-out ex-CIA operative/assassin, who has given up on life. Creasy’s friend Rayburn brings him to Mexico City to be a bodyguard to nine-year-old Pita Ramos, daughter of industrialist Samuel Ramos and his wife Lisa. Creasy is not interested in being a bodyguard, especially to a youngster, but for lack of something better to do, he accepts the assignment. Creasy barely tolerates the precocious child and her pestering questions about him and his life. But slowly, she chips away at his seemingly impenetrable exterior, his defenses drop, and he opens up to her. Creasy’s new-found purpose in life is shattered when Pita is kidnapped. Despite being seriously wounded during the kidnapping, he vows to kill anyone involved in or profiting from the kidnapping. And no one can stop him.

KING OF CALIFORNIA stars Michael Douglas as a fresh-out-of-the-mental institution father, and Evan Rachel Wood as his emancipated teenage daughter, as they venture together on a quest for an ancient Spanish treasure buried beneath their local Costco in this in this darkly funny, exciting and surprisingly hopeful take on the modern family and the American dream.

An aging antique dealer, Jesus Gris, happens upon an elegant mechanized scarab. When opened, it painfully stabs whomever is holding it, but the wound brings youthful vigor and a vampire’s need for blood. The device is relentlessly pursued by a dying tycoon, Dieter de la Guardia, whose nephew Angel, reluctant to see his uncle live a moment longer, must still do the old man’s bidding. Meanwhile, Gris’s desires endanger his own granddaughter, Aurora.

Richard and Susan are a couple from San Diego, California who are vacationing in Morocco while their two children are at home with their Mexican housekeeper, Amelia. A rifle finds its way into the hands of a local herdsman’s young sons, who recklessly take a shot at a tour bus and hit Susan in the shoulder, causing her severe injury. The distraught Richard calls home to tell Amelia of the situation, who shortly departs for Mexico to attend her son’s wedding, with Richard and Susan’s children in tow. Disaster thus multiplies, with the situation in Morocco ascribed to terrorists in the media, while Amelia meets with trouble at the Mexican border when she attempts to return to San Diego with Richard and Susan’s children. Meanwhile, in Tokyo, a widower tied to the rifle in question, a complex shift of ownership to which the audience is privy, attempts to deal with the memories of his recently deceased wife and his strained relationship with his deaf teenage daughter.

In 1848, a New York bank wants to put a railroad across Mexico, so it buys up small banks around Santa Rita, Durango, and evicts farmers on the proposed rail line who owe money. The bank’s henchman is the murderous Jackson. He runs afoul of two women, María, the tough but uneducated daughter of a farmer, and Sara, the European-educated daughter of the owner of one of these banks. To feed the now landless people and to seek revenge, María and Sara become bank robbers, veritable Robin Hoods. But Jackson and his hired guns are after them. What are the women’s options?

Set in Mexico, a nun called Sara is rescued from three cowboys by Hogan, who is on his way to do some reconnaissance, for a future mission to capture a French fort. The French are chasing Sara, but not for the reasons she tells Hogan, so he decides to help her in return for information about the fort defences. Inevitably the two become good friends but Sara has a secret..