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Rowan plays the eponymous lead character in a spoof spy thriller. During the course of the story we follow our hero as he attempts to single-handedly save the country from falling into the hands of a despot.

Sinbad, the most daring and notorious rogue ever to sail the seven seas, has spent his life asking for trouble, and trouble has finally answered in a big way. Framed for stealing one of the world’s most priceless and powerful treasures—the Book of Peace—Sinbad has one chance to find and return the precious book, or his best friend Proteus will die. Sinbad decides not to take that chance and instead sets a course for the fun and sun of the Fiji Islands. However, Proteus’ beautiful betrothed, Marina, has stowed away on Sinbad’s ship, determined to make sure that Sinbad fulfills his mission and saves Proteus’ life. Now the man who put the “bad” in Sinbad is about to find out how bad bad can be.

A mythic motorcycle tale of father and son”, this is the story of Manuel Galloway (Fishburne), also known as “the King of Cali”, the president of a motorcycle club whose members are all African-American men, mostly white-collar workers who exchange their suits and ties at night and on weekends for leather outfits and motorcycle helmets. The focus of this story takes place at an annual drag-racing event in Fresno, as Manuel tries to retain his championship title.

The group of best friends from their days back at East Great Falls High reunite for the next great sexual adventure in their lives… a wedding with Stifler orchestrating the correlating social event… the bachelor party.

In the small town of Knapely, Yorkshire, England, Annie Clarke (Julie Walters) has just lost her husband, who was ill with leukemia. Inspired in his speech to the local Women’s Institute, where he said that “the flowers of Yorkshire are like the women of Yorkshire”, and “the last phase of the women of Yorkshire is always the most glorious”, her best friend Chris Harper (Helen Mirren) decides to make a calendar with twelve local middle-age women nude to raise funds for the wing of leukemia treatment in the local hospital. The calendar becomes well succeeded, making them famous and affecting their lives.

Meet Roy and Frank, a couple of professional small-time con artists. What Roy, a veteran of the grift, and Frank, his ambitious protégé, are swindling these days are “water filtration systems,” bargain-basement water filters bought by unsuspecting people who pay ten times their value in order to win bogus prizes like cars, jewelry and overseas vacations—which they never collect. These scams net the flim-flam men a few hundred here, another thousand there, which eventually adds up to a lucrative partnership. Roy’s private life, however, is not so successful. An obsessive-compulsive agoraphobe with no personal relationships to call his own, Roy is barely hanging on to his wits, and when his idiosyncrasies begin to threaten his criminal productivity he’s forced to seek the help of a psychoanalyst just to keep him in working order. While Roy is looking for a quick fix, his therapy begets more than he bargained for: the revelation that he has a teenage daughter—a child whose existence he suspected but never dared confirm. What’s more troubling, 14-year-old Angela wants to meet the father she never knew. At first, Angela’s appearance disrupts her neurotic father’s carefully ordered routine. Soon, however, with his own unique spin on parenthood, Roy begins to enjoy a relationship he never dreamed of having with his daughter. But while he develops paternal feelings for the 14-year-old, she’s developing a fascination with Daddy’s questionable career.

Pollyanna is a young orphan with a positive, cheerful personality who comes to live with her wealthy, embittered, spinster aunt. She introduces everyone to her preacher father’s favorite “Glad Game” and ends up transforming not only her aunt’s life but the entire town. When the selfless, caring Pollyanna is severely injured in an accident, her spirits dip uncharacteristically, and the townsfolk rally around to help her regain her perspective, to rejoice in God and look for the good.

Academy Award nominee ‘Diane Lane (I)’ (qv) stars as ‘Frances Mayes’ (qv), a 35-year-old San Francisco writer whose perfect life has just taken an unexpected detour. Her recent divorce has left her with terminal writer’s block and extremely depressed, and her best friend, Patti, is beginning to think she might never recover. Frances decides to take a break and she buys a villa in the beautiful Tuscan countryside and decides to begin anew. Restoring her new home, she eventually finds the fulfillment she was searching for, including love. Based on ‘Frances Mayes’ (qv)’ memoir of the same name.

Set almost entirely in London, England during five frantic weeks before Christmas follows a web-like pattern of inter-related, loosely related and unrelated stories of a dozen or more various individuals with their love lives, or lack of them. The central character is the new bachelor prime minister David who cannot express his growing feelings for his new personal assistant Natalie. The prime minister’s older sister Karen slowly grows aware of her husband Harry’s flirtation with an office worker named Mia. Karen’s friend Daniel is a recently widowed writer whose 11-year-old son asks for love advice about a girl he has a crush on. Meanwhile, Jamie is another writer who leaves his girlfriend after catching her cheating on him and travels to France to write a novel where he pursues a possible romance with his non-English speaking Portuguese maid Aurelia. Also, Harry’s American secretary Sarah questions a romance she pursues with the office hunk Karl, but her personal family problems get in the way. Other secondary characters involve a photographer who pursues his best friend’s new wife Juliet; a pair of movie stand-ins, named John and Judy, who grow closer after their simulated love scenes; a libidinous chum who wants to travel to Wisconsin, USA to score with women; and a burned-out former rock star named Billy Mack who is the main connection between all stories involved.

In an era when Americans were in great need of heroic figures to help them forget their troubles, SEABISCUIT comes to the rescue. The picture relates a moving story of friendship and devotion in rehabilitating the main characters’fractured lives, as it interweaves the interactions between horse, jockey, trainer and owner and their adoring fans. The film accurately portrays the real people and events of those troubled times and how Seabiscuit “fixed us, every one of us.”