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A descent into Hell is triggered when “Ex-Lord” Donald Brocklebank finds that he must leave Longleigh House for London to find a way to pay for the medical treatments for his wife Nancy. Alone, his over-protected, delusional, adult son, James, fancies himself in charge of the manor house with his terminally ill mother, and barricades the two of them into the house for a series of ever more panicked home treatments, mistakenly protecting her from the arrival of Nurse Mary and any outside help.

The group of best friends from their days back at East Great Falls High reunite for the next great sexual adventure in their lives… a wedding with Stifler orchestrating the correlating social event… the bachelor party.

After losing her self-indulging parents in an earthquake, a bitter young girl named Mary Lennox is sent to live in England with her reclusive Uncle. Eventually she discovers her bedridden cousin and a ’secret garden’ that once belonged to her deceased aunt. With the help of her cousin, the kindly Dikon, and a little ‘magic’, can Mary find a way to bring love back to her family?

Andy at the age of 40 still hasn’t had sex. He lets his secret slip at a poker game with his buds from work. After the revealing all his friends are on a mission to help get him laid. Along the way Andy meets a nice mom: Trish who fall head over heels for each other.

“The Machinist” is a film about a man who hasn’t slept in a year, and he starts thinking that he’s losing his mind, when he starts seeing hallucinations, and his perception of reality becomes twisted. He’s haunted by a co-worker that no one else can see, and keeps finding post-it notes with secret messages on his fridge…

What’s Eating Gibert Grape is a beautifully shot movie of tenderness, caring and self-awareness that is set amongst the fictional working class one street town Endora. Centred around the Grape family Ellen and Amy and their two brothers Arnie and Gilbert, who, along with their morbidly obese widowed mother Bonnie Grape are striving to survive and coexist with the absence of a father figure, low wage work and seventeen-year-old Arnie’s severe mental condition. It is in this awkward and extremely one sided affair that the unfortunate Gilbert (Johnny Depp) has to constantly, while working for the town’s slowly dying Convenience Store, take care of his younger brother, played to such depth and conviction by a very young Leonardo DiCaprio. Gilbert’s life, his future, is thwarted he know this, but it is in this Guardian Angel that his love and bond for Arnie cannot, and will not, be let go. That is until the free spirit of Becky (Juliette Lewis) arrives in town, and with her grandmother are stranded for the week while waiting for parts for their vehicle. This realisation unties new feelings, new thoughts and new hope for the put upon Gibert, something new is eating Gilbert Grape.

An undercover narc dies, the investigation stalls, so the Detroit P.D. brings back Nick Tellis, fired 18-months ago when a stray bullet hits a pregnant woman. Tellis teams with Henry Oak, a friend of the dead narc and an aggressive cop constantly under the scrutiny of internal affairs. They follow leads, informants turn up dead, Nick’s wife is unhappy he’s back on the street, Henry’s protective of the dead cop’s wife. Nick reads and re-reads the case file, broods, watches Oak’s heavy-handed style, sometimes joining in. The brass want to close out the case, Nick and Henry stay on it, and bits of evidence point them to an auto body shop. What actually happened; will Nick ever know?

Leila (’Lauren Lee Smith’ (qv)) is a sexually voracious young woman who connects with men through brief physical encounters. One night at a crowded house party, Leila meets David (’Eric Balfour’ (qv)) and its lust at first sight. Later, as she has casual sex with a stranger just behind the house, David and his girlfriend mirror her actions in their car. Leila and David’s eyes lock as they watch each other having sex with others, a courtship ritual that initiates their own sexual affair. Seduction is easy and very satisfying. Leila and David get to know each other — which means being intimate — in bed, at the park, on the roof, everywhere. For them, and for other members of their generation, sex is a form of communication. But Leila starts to realize that her attachment to David is different from anything she’s experienced before, and David is just as serious about her. For the first time, they experience needs and desires that go beyond the physical. It is an emotional connection they crave. Afraid of the feelings they have unleashed in each other, they retreat to the safety of their former lives. Real life, and the messiness of emotional attachments, have punctured their sexual and romantic bubble and threaten to keep the lovers apart. David’s father dies after a long illness and he turns to his ex-girlfriend for support. Leila, meanwhile, is distracted by her parents’ looming divorce. Leila and David are trapped between two worlds. Anonymous sex, or sex without context, is losing its appeal. But a conventional approach to commitment - marriage and the seemingly inevitable divorce that follows, as evidenced by Leila’s parents — is not the answer. They set out to find a way to build lust and love, spontaneity and substance, into a new life together.

Based on the true story of Australian pianist David Helfgott, this delightful movie charts the early and traumatic early years. Telling the story in flashback we see David as he grows up and into a child prodigy while his father abuses him and his siblings with the memory of his childhood in Europe and the loss of his family in the concentration camps. David finally breaks away from his father and goes away to study overseas, he later suffers a breakdown and returns to Australia and a life in an institution. Many years later he is released and through several twists of fate (in reality even more unlikely than film portrays) he starts playing a piano in a bar before finally returning to the concert hall.

When a crusading chairperson of the military budget committee pressures the would be Navy secretary to begin full gender integration of the service, he offers the chance for a test case for a female trainee in the elite Navy SEALS commando force. Lt. Jordan O’Niel is given the assignment, but no one expects her to succeed in an inhumanly punishing regime that has a standard 60% dropout rate for men. However, O’Niel is determined to prove everyone wrong.