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Not all Christmas stories are full of cheer - take the disturbing childhood of Billy Lenz, for example. Born during Christmas, little Billy Lenz suffered from Jaundice because of a liver defect, and was unwanted by his cruel mother (who only saw the husband she’d come to despise when she looked at her son). While she let her true feelings be known to him with beatings and abuse, only his father showed him compassion like a parent should. But on Christmas Eve in 1975, his unfaithful mother gave him one of the most cruelest gifts of all, as she made five-year-old Billy observe his beloved father’s brutal murder at her own hands and those of her lover with a claw hammer. Before burying him under the house, she locked Billy in the attic for good, to hold his silence of what he’d witnessed that night. His only contact from then on was when she came to punish him for making a noise or other such trivial nuisances, while she was with her lover and starting a “new” family. As Billy’s mother fell pregnant with a daughter and treated her with love, which Billy had never experienced with his mother, Billy came out of the attic on Christmas Eve 1991, taking a rolling pin to his mother’s head, and a pointed tree ornament to her lovers eye before leaving his sister as disfigured as he was by blinding her. Before he could finish the job police forced there way in and dragged him off to mental institution and his sister a foster home, whose eye sight was saved in one eye… but not the other. Cut to the present where a security guard has been monitoring Billy’s progress since he came into his care, back in 1991. Knowing full well that during this time for fifteen years, Billy has made a break from this asylum, but never succeeding… until now. Far away, his childhood home is now a sorority house, where nine sisters and their house-mother are celebrating the holiday season together …but tonight they’re about to get a surprise visitor… and it’s not Santa.

This drama centers on Hank Chinaski, the fictional alter-ego of “Factotum” author Charles Bukowski, who wanders around Los Angeles, CA trying to live off jobs which don’t interfere with his primary interest, which is writing. Along the way, he fends off the distractions offered by women, drinking and gambling.

Coming of age in Plainsboro, New Jersey. High school student Hal Hefner stutters. On the evening his parents stop arguing and separate, 43 miles away at the state tournament, his school’s legendary debater, Ben Wekselbaum, goes blank mid-sentence, Ben’s teammate Ginny Ryerson doesn’t get a first-place trophy, and the world changes. That fall, to Hal’s amazement, Ginny recruits him for the debate team, mentors him, and will be his partner. He still has his stutter, but he works hard and he falls in love with Ginny. On the day of the first debate of the season, the world changes again. From then until the day of the state tournament, Hal has a lot to sort out. Is love rocket science?

Beer, broads and baseball combine with hilarious results in ARTIE LANGE’S BEER LEAGUE…an over-the-top comedy about a group of misfits whose weekly softball games seem to have a lot more to do with getting into fights for macho dominance than hitting home runs. Artie is an unemployed and unmotivated drunk that is predictably still living with his mother. He is on a losing softball team, and he and his teammates are facing the end of softball as they know it if they can’t pull it together. When love enters his life, it unexpectedly alters Artie’s low self-esteem, and the odds for winning, not only the league trophy, but a new life, are certainly looking up. He and his teammates will have to go for the win, and survive all the comedy and chaos along the way.

An American teenager who is obsessed with Hong Kong cinema and kung-fu classics makes an extraordinary discovery in a Chinatown pawnshop: the legendary stick weapon of the Chinese sage and warrior, the Monkey King. With the lost relic in hand, the teenager unexpectedly finds himself traveling back to ancient China to join a crew of warriors from martial arts lore on a dangerous quest to free the imprisoned Monkey King.

Two sisters, plus a dead mother, a remarried father, and a hostile step-mother. The sisters, each in her way, have perfected the art of losing. The elder, Rose, is an attorney, responsible, lonely, with a closet full of shoes. The younger is Maggie, beautiful, selfish, and irresponsible. Her drunken behavior gets her tossed by her step-mother from her dad’s house; worse behavior gets her tossed from Rose’s apartment. Then, while searching in her father’s desk for money to filch, Maggie finds an address; the past and the future open up to her and, with any luck, may open to her sister as well.

A man living in rural Wisconsin takes care of his bed-ridden mother, who is very domineering and teaches him that all women are evil. After she dies he misses her, so a year later he digs her up and takes her home. He learns about taxidermy and begins robbing graves to get materials to patch her up, and inevitably begins looking for fresher sources of materials. Based closely on the true story of Ed Gein.

The continuing saga of the Corleone crime family tells the story of a young Vito Corleone growing up in Sicily and in 1910s New York; and follows Michael Corleone in the 1950s as he attempts to expand the family business into Las Vegas, Hollywood and Cuba.

Clint Eastwood is a mysterious preacher who comes to a gold mining camp near a small town in the mountains. The miners are in grave danger as a ruthless landowner decides to take their land, with the support of the sheriff. The only one who seems brave enough to save them is this preacher who came from nowhere and nobody knows his past or his real name. Why is the sheriff afraid of him? Why is he such a good shooter? Is he really a preacher?

On November 16, 1959, Truman Capote reads about the murder of a Kansas family. There are no suspects. With Harper Lee, he visits the town: he wants to write about their response. First he must get locals to talk, then, after arrests, he must gain access to the prisoners. One talks constantly; the other, Perry Smith, says little. Capote is implacable, wanting the story, believing this book will establish a new form of reportage: he must figure out what Perry wants. Their relationship becomes something more than writer and character: Perry killed in cold blood, the state will execute him in cold blood; does Capote get his story through cold calculation, or is there a price for him to pay?