Samantha’s life is going downhill fast. The fifteen-year-old has a crush on the most popular boy in school, and the geekiest boy in school has a crush on her. Her sister’s getting married, and with all the excitement the rest of her family forgets her birthday! Add all this to a pair of horrendously embarrassing grandparents, a foreign exchange student named Long Duc Dong, and we have the makings of a hilarious journey into young womanhood.
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Ron Burgundy (Ferrell) is the top-rated anchorman in San Diego in the ’70s. When feminism marches into the newsroom in the form of ambitious newswoman Veronica Corningstone (Applegate), Ron is willing to play along at first-as long as Veronica stays in her place, covering cat fashion shows, cooking, and other “female” interests. But when Veronica refuses to settle for being eye candy and steps behind the news desk, it’s more than a battle between two perfectly coiffed anchor-persons… it’s war.
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Brett, a young woman from the suburbs, is an associate editor at a small New York publishing house, hoping to be promoted when, on the same day, she meets a literary lion, Archie Knox, who’s 50 and who shows an interest in her, and gets a new boss, a dolly-dolly Brit. Brett is soon dating Archie, then moves in with him. He’s charming, attentive, and gives advice. He also has a history - ex-wives, a distant daughter, a couple of diseases, and a photo album of former girlfriends. It’s no fairy tale: family issues (and more) intervene, and Brett has decisions to make. Meanwhile, she’s working with a writer who fears peanut butter sticking to the roof of his mouth. Is Archie dinner, an hors d’oeuvre, or a peanut-butter sandwich?
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When rivalry between the world’s best men’s figure skaters - sex addicted, improvisational Chazz Michael Michaels and germophobic, precise Jimmy MacElroy - breaks into a fight on the awards platform, they’re banned from the event for life. Three years later, desire for a gold medal and a careful reading of the rules lead them to compete as skating’s first male-male pair. Can they overcome mutual dislike, limited time to prepare, their coach’s secret past, and the dirty tricks of their main opponents, the Van Waldenberg siblings? The key to victory or defeat may lie in the attraction of the virginal Jimmy toward Katie, the Van Waldenbergs’ little sister.
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Steve Martin and Bonnie Hunt return as heads of the Baker family who, while on vacation, find themselves in competition with a rival family of eight children, headed by Eugene Levy
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Three ex-girlfriends of a serial cheater (Metcalfe) set up their former lover to fall for the new girl in town so they can watch him get his heart broken.
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When her rather explicit copy is rejected, magazine journalist Kate is asked by her editor to come up with an article on loving relationships instead, and to do so by the end of the day. This gets Kate thinking back over her own various experiences, and to wondering if she is in much of a position to write on the subject.
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The story follows Mirabelle, a disenchanted salesgirl and aspiring artist who sells gloves and accessories at a department store. She has two men in her life: wealthy divorcee Ray Porter (Steve Martin) and struggling musician Jeremy. Mirabelle falls in love with the glamorous Ray, and her life takes a magical turn, but eventually she realizes that she must empower herself and make a choice between them.
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Marty McFly is an aspiring musician, but he is not sure of what the future holds for him; first his band was rejected as the performing band for the school dance, and historically, no McFly has succeeded in anything. The only bright spots in his existence are his girlfriend and Emmett Brown, the town crackpot scientist, who is Marty’s good friend. Marty was helping brown with his latest invention a time machine, which is fitted into a Delorean. The time machine needs a tremendous amount of power to work, which he gets from plutonium. Now Brown got the plutonium from some Libyans who want him to build a bomb; they find Brown and shoot him, Marty gets into the Delorean and drives off and when he reaches the speed of 88 mph that activates the time machine, he finds himself in 1955, cause that was the date that Brown entered, which was when he first conceived the time machine. Now having already used up all the power of the plutonium, Marty must find a way to get it working, so he can go back to his own time. Marty looks for Brown but before he does, he runs into his father as a teenager, and accidentally interferes with his father’s first meeting of Lorraine, his future mother. Marty then goes to see Brown and convinces him that he is from the future and to help him. But when he learns of the amount of power that is needed to power the machine, he tells Marty that it’s hopeless cause the only other thing that can generate that much power is a bolt of lightning and it’s impossible to determine when and where they will strike, but Marty has with him an old newspaper cliping that states that the town clock tower will be struck by lightning, so they plan to draw the energy from the lightning so they can power the machine. But before they do, Marty must act as cupid for his parents cause it seems that because they never met they won’t fall in love and get married and Marty will not exist.
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Orin Boyd (Seagal) is a Detroit cop who doesn’t follow rules. After he saved the Vice President by violating every order he received he is transferred to one of the worst precincts in the city. There he quickly encounters some corrupt cops selling heroin to drug dealers. The problem is, it’s very difficult to tell who is the bad guy and who you can trust.
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