A powerful virus escapes from a British research facility. Transmitted in a drop of blood and devastating within seconds, the virus locks those infected into a permanent state of murderous rage. Within 28 days the country is overwhelmed and a handful of survivors begin their attempts to salvage a future, little realising that the deadly virus is not the only thing that threatens them.
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Based on Joseph Conrad’s Heart Of Darkness, this is a controversial addition to the multitude of Vietnam war movies in existence. Set in 1969 Vietnam, we follow U.S. Special Forces Captain Willard on his mission up a river into Cambodia to assassinate a renegade Green Beret who has set himself up as a God among a local tribe.
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A small VHS only video store faces foreclosure in a poor community. While watching the store for the owner, a blundering employee’s friend accidentally erases all of the tapes. In order to keep their blunder from becoming apparent, the duo of Mos Def and Jack Black begin remaking the films themselves using homemade special effects and outdated filming techniques.
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Helen Lyle (Virginia Madsen) is writing a paper on urban legends when she hears about the Candyman (Tony Todd), who was once an ex-slave-turned-artist name Daniel Robitaille, who had an affair his client’s daughter. Robitaille’s right hand was sawn off, he was covered in honey, and stung to death by bees. If anyone says the word “Candyman” five times in a mirror, he’ll appear behind that person, a bloody hook as a replacement for his hand, and kill him. A series of unsolved murders is happening in the Cabrini Green projects and Helen is using this to help with her paper. The residents say the Candyman is to blame, but Helen doesn’t believe it. Until she meets the man with a hook for a hand. Now, he’s begun to murder her friends and no one believes her. Can Helen clear her name and stop the Canydman from killing anyone else?
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Cloverfield follows five New Yorkers from the perspective of a hand-held video camera. The movie is exactly the length of a DV Tape and a sub-plot is established by showing bits and pieces of video previously recorded on the tape that is being recorded over. The movie starts as a monster of unknown origin destroys a building. As they go to investigate, parts of the building and the head of the Statue of Liberty come raining down. The movie follows their adventure trying to escape and save a friend, a love interest of the main character.
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The Monty Pyton team tells the life, death and resurrection (?) of Brian from Nazareth, an unwilling prophet who wants to free his land from the oppression of Rome. When Brian covers a huge wall with the writing “ROMANI ITE DOMUM” (Romans go home), a local revolutionary group begins to take him seriously…
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Top London cop, PC Nicholas Angel (Pegg) is good. Too good. And to stop the rest of his team looking bad, he is reassigned to the quiet town of Sandford. He is paired with Danny Butterman (Frost), who countlessly questions him on the action lifestyle. Everything seems quiet for Angel, until two actors are found decapitated. It is address to as an accident, but Angel isn’t going to accept that, especially when more and more people turn up dead. Angel and Danny clash with everyone, whilst trying to uncover the truth behind the mystery of the apparent “acidents”.
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A hip hop horror anthology of three tales of terror told by the Hound of Hell (Snoop Dogg) that revolve around the residents of an inner-city neighborhood whose actions determine where they will go in the afterlife.
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Martin Brody is the new police chief of Amity, an island resort town somewhere in New England. He has a wife named Ellen, and two sons named Michael and Sean. On a Summer morning, Brody is called to the beach, where the mangled body of Summer vacationer Chrissie Watkins has washed ashore. The medical examiner tells Brody that it could have been a shark that killed Watkins. Mayor Larry Vaughn, who is desperate to not lose the money that will be brought in by 4th of July tourists, wants Brody to say Watkins’s death was caused by a motorboat propeller instead of a shark, because the thought of a shark in Amity’s waters would drive tourists away from Amity. It looks like Vaughn is a mayor who puts money ahead of people’s lives. Shark expert Matt Hooper believes Watkins was killed by a shark. Hooper is proven right a few days later, when Alex Kintner is killed by the shark that killed Watkins. Looking for the quickest solution, Vaughn tells all of the local fishermen to let him know if they see the shark. A shark hunter named Quint offers to find the shark and kill it, but Vaughn thinks Quint’s price of $10,000 is too high. When a tiger shark is killed and hauled in by a couple of boaters, Vaughn hastily says that the shark crisis is over, but Hooper says the shark that’s been killing people a huge great white shark is still in Amity’s waters, but Vaughn leaves the beaches opened because all he cares about is the 4th of July tourist money. On the 4th of July, Vaughn encourages people to swim at the beach, and Hooper is proven right again when the shark kills a man, biting the man’s leg off. Michael, who was in the water at the time of the attack, is taken to the hospital, where he’s treated for shock after watching the shark kill the guy. Brody asks Vaughn to hire Quint to find the shark. Because his own kids were at that beach too, Vaughn agrees to hire Quint to find the shark. Quint, Hooper, and Brody are sent out to sea in Quint’s boat, the Orca, ready to do whatever it takes to find the shark.
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Roland Rat, Margaret Thatcher; Rubik’s Cubes, the Royal Wedding; aerobics, skinheads… It’s 1983, and the schools are breaking up for summer. Shaun is 12 and a bit of a loner, growing up with his mum in a grim coastal town, his dad killed fighting in the Falklands War. On his way home from school where he’s been tormented all day for wearing flares, he runs into a group of skinheads, who against expectations turn out to be friendly and take him under their wing. Soon Shaun discovers parties, girls and snappy dressing, and finds some role models in Woody, Milky and the rest of the gang. But when an older, overtly racist skinhead returns home from prison, the easy camaraderie of the group is broken, and Shaun is drawn into much more uncomfortable territory. Based largely on his own experience as a youngster, this is Shane Meadows’ most mature and fully realised film. Handling the complexities of masculinity, violence and race with sensitivity and a lightness of touch, it’s hard to imagine a film that would better capture the mood of the time, or that could have any greater an understanding of the allure of being part of a gang.
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