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A successful talk show host leaves Los Angeles to reunite with his family in the Deep South.

In this spin on the traditional romantic comedy, Harris K. Tellemacher, a Shakespeare-quoting, Los Angeles TV weatherman is looking for something meaningful for his life. The Los Angeles Freeway sign informs him that the weather will change his life in two ways, and Harris begins to search for the meaning behind that message.

A New Orleans detective is leading an investigation into a killer who is raping and murdering women. His enquiries lead him into the seedy side of town where he is no stranger off-duty. All this contrasts with his home life as a single parent with two young girls. Then on the case he meets rape counsellor Beryl Thibodeaux with whom a relationship possibly offering some normalcy starts to develop.

Nicole broke up with Matt months ago and is now engaged to someone else. He’s very good-looking and has no trouble finding other lovers, but that doesn’t help because he’s still obsessed with wanting her back. Then he gets the inspiration that swearing off sex for Lent (all forms of sexual activity, even kissing or masturbation) will give him the perspective he needs. So of course a few days later he meets a woman and they fall in love. Now Matt sees his vow as a personal matter, and won’t even tell her about it, but his friends think otherwise, and now the complications begin…

Based on a book by Andrew Neiderman, the film centers on a young lawyer who joins a New York firm only to discover that his boss has an increasingly bizarre personality.

The shy son (Chittenden) of an aging comedienne (Blethyn) tries to find a balance between his demanding home life, his new girlfriend (Booth), and his mother’s second chance at fame.

The true life story of Ralph Waldo “Petey” Greene Jr. In the mid-to-late 1960s, in Washington, D.C., vibrant soul music and exploding social consciousness were combining to unique and powerful effect. It was the place and time for Petey to fully express himself - sometimes to outrageous effect - and “tell it like it is.” With the support of his irrepressible and tempestuous girlfriend Vernell, the newly minted ex-con talks his way into an on-air radio gig. He forges a friendship and a partnership with fellow prison inmate Milo’s brother Dewey Hughes. From the first wild morning on the air, Petey relies on the more straight-laced Dewey to run interference at WOL-AM, where Dewey is the program director. At the station, Petey becomes an iconic radio personality, surpassing even the established popularity of his fellow disc jockeys, Nighthawk and Sunny Jim. Combining biting humor with social commentary, Petey openly courts controversy for station owner E.G. Sonderling. Petey was determined to make not just himself but his community heard during an exciting and turbulent period in American history. As Petey’s voice, humor, and spirit surge across the airwaves with the vitality of the era, listeners tune in to hear not only incredible music but also a man speaking directly to them about race and power in America like few people ever have. Through the years, Petey’s “The truth just is” style — on - and off-air - would redefine both Petey and Dewey, and empower each to become the man he would most like to be.

Luke and Roger are just another couple of college guys trying to lose their virginity. But when Luke sees something unusual, he begins to suspect that the girls on campus aren’t exactly…human.

Not all Christmas stories are full of cheer - take the disturbing childhood of Billy Lenz, for example. Born during Christmas, little Billy Lenz suffered from Jaundice because of a liver defect, and was unwanted by his cruel mother (who only saw the husband she’d come to despise when she looked at her son). While she let her true feelings be known to him with beatings and abuse, only his father showed him compassion like a parent should. But on Christmas Eve in 1975, his unfaithful mother gave him one of the most cruelest gifts of all, as she made five-year-old Billy observe his beloved father’s brutal murder at her own hands and those of her lover with a claw hammer. Before burying him under the house, she locked Billy in the attic for good, to hold his silence of what he’d witnessed that night. His only contact from then on was when she came to punish him for making a noise or other such trivial nuisances, while she was with her lover and starting a “new” family. As Billy’s mother fell pregnant with a daughter and treated her with love, which Billy had never experienced with his mother, Billy came out of the attic on Christmas Eve 1991, taking a rolling pin to his mother’s head, and a pointed tree ornament to her lovers eye before leaving his sister as disfigured as he was by blinding her. Before he could finish the job police forced there way in and dragged him off to mental institution and his sister a foster home, whose eye sight was saved in one eye… but not the other. Cut to the present where a security guard has been monitoring Billy’s progress since he came into his care, back in 1991. Knowing full well that during this time for fifteen years, Billy has made a break from this asylum, but never succeeding… until now. Far away, his childhood home is now a sorority house, where nine sisters and their house-mother are celebrating the holiday season together …but tonight they’re about to get a surprise visitor… and it’s not Santa.

While pursuing a suspect one night, Chicago Police officer Sharon Pogue (Jennifer Lopez) nearly becomes the victim of a fatal ambush until a mysterious stranger, Catch (Jim Caviezel) intervenes, disarms the assassin and saves Sharon’s life. Is it a stroke of luck? A twist of fate? Or just a concerned citizen who happened to pass by at the right time and wasn’t afraid to get involved? Maybe, But Sharon and Catch have met once before. As the two fall in love, they discover the truth about each other and are forced to deal with the secrets from their past.