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When five high school students, Andrew, John, Allison, Brian, and Claire, meet in detention one day. The principal wants them to write an essay, and they think they are in for a boring 8 hours of doing nothing. At first, they argue and hate each other, but after smoking some marijuana, they pour their hearts out to each other, and tell about their fears, secrets, and their deepest emotions, and problems.

Wealthy teenager Charlie Bartlett is failing miserably at fitting in at a new public high school run by the world-weary Principal Gardner. As he begins to better understand the social hierarchy, Charlie’s honest charm and likability positions him as the resident “psychiatrist” dishing out advice, and the occasional prescription with his partner and fellow student, Murphy Bivens, to other students in need. Along the way, he decides to take some of his own advice, find romance, and learn to accept who he is, thus wielding a witty dark comedy about the angst-filled years before college.

David Spade plays Joe, whose search for his family has him hittin’ the road and keepin’ it real with every lowlife he meets, including a sweet hottie (Brittany Daniel), a janitor (Christopher Walken), and a pychotic cannibal (Brian Thompson) with whom he has a brief interlude. Through it all, Joe keeps on truckin’ . . . all the way to L.A., where a shock jock DJ (Dennis Miller) targets Joe as the butt of his show. But Joe’s plucky spirit encourages listeners to cheer him on and help him find a better family than the one he thought he wanted. Rock on!

After causing a loss of almost one billion dollars in his company, the shoe designer Drew Baylor (Orlando Bloom) decides to commit suicide. However, in the exact moment of his act of despair, he receives a phone call from his sister telling him that his beloved father had just died in Elizabethtown, and he should bring him back since his mother had problem with the relatives of his father. He travels in an empty red eye flight and meets the attendant Claire Colburn (Kirsten Dunst), who changes his view and perspective of life.

In 1950-something New York, an adventuresome free-lance photographer finds himself confined to a wheelchair in his tiny apartment while a broken leg mends. With only the occasional distraction of a visiting nurse and his frustrated love interest, a beautiful fashion consultant, his attention is naturally drawn to the courtyard outside his “rear window” and the occupants of the apartment buildings which surround it. Soon he is consumed by the private dramas of his neighbors lives which play themselves out before his eyes. There is “Miss Lonelyhearts,” so desperate for her imaginary lover that she sits him a plate at the dinner table and feigns their ensuing chat. There is the frustrated composer banging on his piano, the sunbathing sculptress, the shapely dancer, the newlyweds who are concealed from their neighbors by a window shade, and a bungling middle-aged couple with a little yapping dog who sleep on the fire escape to avoid the sweltering heat of their apartment. …And then there is the mysterious salesman whose nagging, invalid wife’s sudden absence from the scene ominously coincides with middle-of-the-night forays into the dark, sleeping city with his sample case. Where did she go? What’s in the trunk that the salesman ships away? What’s he been doing with the knives and the saw that he cleans at the kitchen sink?

An FBI agent (Reynolds) hunts for a Las Vegas stand up comedian (Piven) who has decided to squeal on the mob but, before he heads off for protective custody, decides to go to the casinos at Lake Tahoe for one last good time, drawing a crowd of assassins (including Affleck and Keys).

13 year old Walter has had a hard life, with his no good floozy of a mother getting together with many equally despicable men. Before going on yet another husband-hunting trip, she drops him off at the house of his great-uncles Hub and Garth. They disappeared for quite a while in their youth, and are rumored to have acquired a great fortune, which Walter’s mother hopes to get her hands on if he can ingratiate himself enough to the two cantankerous men. Though reluctant to put up with him at first, Hub and Garth grow to accept Walter, and even tell him fantastic stories of what they were up to while they went missing. When his mother returns, Walter must take charge of his own life, and decide what he’s going to do with it.

Can love release our true self? A wealthy Cuban coffee exporter, Luis Vargas, advertises for a US wife; Julia Russell, from Delaware, sends her photograph, but the woman who steps off the ship is much lovelier. Luis marries her immediately and gives in to love. But Julia may not be who she claims: first a private eye shows up on behalf of Julia’s sister, then the sister herself. By now, Luis has given has wife access to bank accounts, and when she runs with his cash, he pursues her, with the help of Downs, the P.I., perhaps to kill her. Pursuit may be part of a con game as well, and Julia’s past explains some, if not all, of what remains of the story. A priest hears her confession.

Four friends sruggling with life meet in the Maine woods for their annual hunting trip. When a stranger stumbles in to their camp disoriented mumbling things about lights in the sky the four friends put in a struggle with a psychotic army colonel and a being that has taken control of one of their minds.

Since a road accident left him with serious facial and bodily scarring, a former ‘TV scientist’ has become obsessed by the marriage of motor car technology with what he sees as the ‘raw sexuality’ of car-crash victims. The scientist, along with a crash victim he has recently befriended, sets about performing a series of sexual acts in a variety of motor vehicles, either with other crash victims or with prostitutes who they contort into the shape of trapped-corpses. Ultimately, the scientist craves a suicidal union of blood, semen and engine coolant, a union with which he becomes dangerously obsessed.