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A successful talk show host leaves Los Angeles to reunite with his family in the Deep South.

The true life story of Ralph Waldo “Petey” Greene Jr. In the mid-to-late 1960s, in Washington, D.C., vibrant soul music and exploding social consciousness were combining to unique and powerful effect. It was the place and time for Petey to fully express himself - sometimes to outrageous effect - and “tell it like it is.” With the support of his irrepressible and tempestuous girlfriend Vernell, the newly minted ex-con talks his way into an on-air radio gig. He forges a friendship and a partnership with fellow prison inmate Milo’s brother Dewey Hughes. From the first wild morning on the air, Petey relies on the more straight-laced Dewey to run interference at WOL-AM, where Dewey is the program director. At the station, Petey becomes an iconic radio personality, surpassing even the established popularity of his fellow disc jockeys, Nighthawk and Sunny Jim. Combining biting humor with social commentary, Petey openly courts controversy for station owner E.G. Sonderling. Petey was determined to make not just himself but his community heard during an exciting and turbulent period in American history. As Petey’s voice, humor, and spirit surge across the airwaves with the vitality of the era, listeners tune in to hear not only incredible music but also a man speaking directly to them about race and power in America like few people ever have. Through the years, Petey’s “The truth just is” style — on - and off-air - would redefine both Petey and Dewey, and empower each to become the man he would most like to be.

For twelve years, the methodic IRF agent Harold Crick has had a routine lonely life guided by his wristwatch. However, one day he hears the narration of his life in off, telling that he is going to die pretty soon. Meanwhile, he audits Ana Pascal, the owner of a bakery that is in debt with the IRF, and falls in love for her. Harold is advised by Professor Jules Hilbert to change his monotonous lifestyle while he tries to find Karen Eiffel, the author of the story of his life, who is researching means of killing the character, and convince her to change the ending of the story.

Dr. Evil uses a device he calls a “Time Machine” to travel back to 1969 and remove Austin Powers’ mojo. The sexually wounded swinger must travel back in time and, with the help of agent Felicity Shagwell, recover his vitality. Meanwhile, Dr. Evil’s personal life runs amok as he discovers love, continues to shun his son and develops a close relationship with himself. Well, actually, a clone 1/8 his size whom he dubs “Mini-Me”. The always time-baffled Dr. Evil begins his plan to put a gigantic cannon on the moon, thus turning it into a device called either “The Death Star” or “Alan Parson’s Project,” depending on which name is available.

Taken aback by his mother’s wedding announcement, a young man returns home in an effort to stop her from marrying his old high school gym teacher, a man who made high school hell for generations of students.

A simple-minded gardener named Chance has spent all his life in the Washington D.C. house of an old man. When the man dies, Chance is put out on the street with no knowledge of the world except what he has learned from television. After a run in with a limousine, he ends up a guest of a woman (Eve) and her husband Ben, an influential but sickly businessman. Now called Chauncey Gardner, Chance becomes friend and confidante to Ben, and an unlikely political insider.

Tobacco industry lobbyist Nick Naylor has a seemingly impossible task: promoting cigarette smoking in a time when the health hazards of the activity have become too plain to ignore. Nick, however, revels in his job, using argument and twisted logic to place, as often as not, his clients in the positions of either altruistic do-gooders or victims. Nick’s son Joey needs to understand and respect his dad’s philosophy, and Nick works hard to respond to that need without compromising his lack of values. When a beautiful news reporter betrays Nick’s sexually-achieved trust, his world seems in danger of collapsing. But there’s always one more coffin nail in Nick’s pack.

Stan Ross was a baseball superstar who turned his back on the game years ago when he finally hit 3,000 hits. Years later, he’s now a successful, self-made entrepreneur whose many businesses revolve around his title: Mr. 3000. But a clerical error has proven that Stan is just short three hits of his spectacular hit record. Now, with time on his side and the potential to be inducted in the Baseball Hall of Fame, Stan must return back to the game and get back his title. But things have changed with age, and as Stan finds out, it’s not too easy to get back into the game when he hasn’t played for years, and he’s nearing 50.

Dr. David Gale, an advocate of eliminating the death penalty, is falsely accused of rape and murder. Once convicted, he ends up on death row in Texas himself, telling his story to a reporter through a series of flashbacks.

Steve Zissou, sea-film auteur a la Jacques Cousteau, has reason to be melancholy: his partner has been eaten, perhaps by a mythic jaguar shark, his wife may be taking up with her ex-husband, a young man appears claiming Steve is his father (Steve hates fathers), his most recent films have tanked, he’s having trouble raising money for his venture to revenge his partner, and he’s attracted to a pregnant reporter who prefers the pretender. At sea, in pursuit of the shark, will he escape pirates and mutiny, forge the bonds of fatherhood, place his arm around his wife, find the monster of the deep, re-establish box office hegemony, and discover a reason to smile?