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A new family moves into the house on Elm Street, and before long, the kids are again having nightmares about deceased child murderer Freddy Krueger. This time, Freddy attempts to possess a teenage boy to cause havoc in the real world, and can only be overcome if the boy’s sweetheart can master her fear.

Rita crashes into Dr. Frank Bryant’s life wanting an education, although she has no idea what it is that she’s asking. Her brash sincerity earns the respect of the doctor who has previously resigned himself to a life of empty lectures and booze. Rita’s character is a breath of fresh air for Bryant and he begins to care about someone, or something for that matter, for the first time since his wife left him. As each begins to wake up to life in their own way, the story comes to a close as an inspiring tale of self discovery and of the power choice that comes through education.

The mother (and father) of all Teen Sex Gross Out comedies is set in the 1950’s where there’s only one thing on the male sex’s mind. Well, sex to be correct. We have PEE WEE: the horny toad that is desperate to lose his virginity. TOMMY: the bad boy of the bunch. MEAT: tough jock whose nickname originates from his abnormally large body appendage. MICKEY: a wiseass redneck without a care in all the universe. BRIAN: the smart Jew. And TIM: the racist giving talents of his abusive father. Each one takes a trip to PORKY’S, it’s the most popular strip joint in Florida. But when they try to get in, they’re tricked and humiliated. Returning home, they vow revenge. Following crazy sex jokes like Ms. Balbrick’s famous “Pecker Pull” incident, to the ultimate return fire on a strip club, PORKY’S is and will remain the grandest of all teenage comedies.

Rachael Newman has developed an interest for murders after she met psycho Patrick Bateman. To further study the subject, she enrolls at the university department for Behavioural and Social Sciences, under the expert leadership of ex-FBI man Robert Starkman. Very certain about herself, Rachael has one single goal: to become class assistant. It’s a prestigious job as having that position will almost guarantee employment at the FBI. But becoming class assistant is no easy task to accomplish, as the first trouble arises when secretary Gerty Fleck decides she is too young for it. And Gerty Fleck won’t be the only obstacle.

Tony wants to be a hitman for the Mafia, but first he has to learn from a master. Enter Stevie California-cool, eats veggie burgers and quotes Neitzche. Tony may not agree with Stevie’s style, but he has to complete his training so he can go back and kill the Mafia’s accountant, who’s about to turn state’s evidence. His final test: kill whoever is randomly picked out of the yellow pages. His target: Angel Chaste. Angel works the graveyard shift at a mortuary. She thinks a doll is her baby. Her mother left when she was little. Basically, Angel has PROBLEMS. When Tony, Angel and Stevie collide, it will change all of their lives.

The story of a relationship between a teacher and his troubled pupil. Justin McLeod is a former teacher who lives as a recluse on the edge of town. His face is disfigured from an automobile accident and fire ten years before in which a boy was incinerated and for which he was convicted of involuntary manslaughter. He is also suspected of being a pedophile. He is befriended by Chuck, causing the town’s suspicion and hostility to be ignited. McLeod inculcates in his protege a love of justice and freedom from prejudice which sustains him beyond the end of the film.

Major Benson Winifred Payne is being discharged from the Marines. Payne is a killin’ machine, but the wars of the world are no longer fought on the battlefield. A career Marine, he has no idea what to do as a civilian, so his commander finds him a job - commanding officer of a local school’s JROTC program, a bunch or ragtag losers with no hope. Using such teaching tools as live grenades and real bullets, Payne starts to instill the corp with some hope. But when Payne is recalled to fight in Bosnia, will he leave the corp who has just started the believe in him, or will he find out that killin’ ain’t much of a livin’?

Chen Chen returns to the international compound of China only to learn of his beloved teacher’s death. This is compounded by the continual racist harassment by the Japanese population in the area. Unlike his friends, he confronts it head on with his mastery of martial arts while investigating his teacher’s murder.

A school social studies assignment leads to social changes that spread from city-to-city. Assigned to come up with some idea that will improve mankind, a young boy (Haley Joel Osment) decides that if he can do three good deeds for someone and they in turn can “pay it forward” and so forth, positive changes can occur. What appears to initially be a failure, is indeed a success that is not immediately known but is traced backwards by a reporter who is a benefactor. The initial recipients of the boy are a drug addict (James Cavaziel), his badly scarred school teacher (Kevin Spacey), and his alcoholic mother (Helen Hunt). While physically and mentally scarred by past events, the teacher is not the only one bearing scars. The young boy fears his mother’s fate, particularly at his brutal, alcoholic father’s (Jon Bon Jovi) hands. The mother also bears scars from her childhood with a homeless, alcoholic mother (Angie Dickinson).

When a serial killer indicates that his next target is the Miss United States beauty pageant, the F.B.I. decides that they must get an undercover agent as a participant in the contest. A search uncovers no suitable candidate other than a bumbling female agent (Sandra Bullock). Reluctantly, her captain (Ernie Hudson) agrees to let her join the team working the case. The team is led by a womanizing agent (Ben Bratt) who has an apparent reluctant attraction to Bullock’s character. She enters as Miss New Jersey, replacing a contestant who was discovered to have acted in a porno film. The pageant managers (Candice Bergen, William Shatner) are immediately aghast about the agent appearing in the pageant, but arrange a top handler (Michael Caine) to come give her a quick makeover, with the expected outstanding results. Unfortunately, she still is bumbling. When the killer is suddenly caught, everything seems to be over, except the female agent tries to convince her boss that something is still not right. She has discovered that the pageant managers are being dismissed after 21 years for younger people, and Bergen’s character may not be as solid as she seems on the surface.